Andy Naselli

Thoughts on Theology

films

October Baby

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Last week my wife and I watched October Baby, a new film that releases in theaters on March 23.

Here’s the official trailer:

More clips and interviews here.

Some Strengths

  1. It celebrates life in our culture of death. It’s about Hannah, a college freshman who learns that she’s adopted and that her biological mother unsuccessfully tried to abort her and then abandoned her.
  2. It winsomely depicts abortion as what it is—murdering helpless, voiceless little people—with tears and heartache. It connects with people on an emotional level that mere intellectual arguments cannot.
  3. It celebrates family, love, and forgiveness.
  4. It’s relatively clean compared to typical Hollywood movies.

Some Weaknesses

  1. It is religiously generic compared to films like Courageous and Fireproof (Provident Films distributes all three). My expectations, [Read more…] about October Baby

Courageous

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Last weekend my wife and I watched the film Courageous, which opens at 900 theaters nationwide on September 30.

Trailer

About the Film

Thoughts

  1. This is the best of the four films that Sherwood Pictures has produced in terms of filming, acting, and storyline.
  2. It focuses on multiple aspects of fatherhood and depicts that weighty responsibility as a high calling. It makes a strong counter-cultural statement about fathers courageously leading their homes rather than selfishly abdicating their responsibility. [Read more…] about Courageous

KJB

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This 90-minute film releases in the United States today: KJB: The Book That Changed the World.

Jenni and I enjoyed watching it last week.

  • The film focuses on the intriguing politics behind the making of the KJV.
  • It’s superbly narrated by John Rhys-Davies, who played Gimli the dwarf in The Lord of the Rings.
  • The acting is well done.
  • It includes two brief commentaries by Carl Trueman.

Here’s a three-minute preview:

No Greater Love

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Tonight Jenni and I watched No Greater Love. We expected it to be another semi-cheesy Christian film, but it’s actually well done. It’s a surprisingly gripping story. Jenni almost never cries when watching movies, but this was different.

I learned about it in mid-January when I received this update from The Master’s Seminary. Jay Underwood, one of their graduates, co-stars in the film.

More info:

Update: Justin Taylor recommends No Greater Love.

Update: Justin Taylor <a href=”http://thegospelcoalition.org/blogs/justintaylor/2010/03/16/no-greater-love-dvd/” target=”_blank”><strong>recomends</strong></a> <em>No Greater Love</em>.

Modern Parables

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Some of Jesus’s parables are so historically remote from us that we don’t naturally feel the emotions and tension that the stories stirred up for the original hearers. These six 15-to-20-minute “Modern Parables” creatively translate the main point of one of Jesus’s parables into our context.

modern

1. Hidden Treasure

2. Samaritan

3. The Shrewd Manager

4. The Widow and the Judge

5. The Sower

6. Prodigal Sons

Here is an abridged version of my thoughts on these parable-films after I watched them in September 2008.

1. General Comments on the Modern Parables

Strengths

  1. Thought-provoking. They encourage a consuming preoccupation with God’s word (i.e., meditation).
  2. Parallel. They are based on common, everyday situations (i.e., typical people and events), which parallels Jesus’ parables.
  3. Quality. They are professionally done. They are simple and executed well.
  4. Variety. They are shot in different genres.
  5. Endorsed by scholars. For example, Craig Blomberg, a parable-scholar, highly recommends them.

Qualifications

  1. Unclear. Most of the application videos are surprisingly weak and unclear. Not recommended. (They don’t appear to be available for free online.)
  2. Limitations. Turning parable-texts into these parable-films has some limitations and potential pitfalls. (1) It changes the genre in a way that does not adequately capture the text’s context. For example, not one of the parable-films adequately captures the immediate context of the parable, let alone the broader context of the section and book in which it occurs. (2) It could be abused as a crutch for exegesis and exposition or as something that is more exciting than the God-breathed text.
  3. Missing the gospel. This is definitely not a stand-alone means of evangelism because the gospel is virtually absent in the films. Those who are biblically illiterate could radically misinterpret the films and completely miss the gospel. The videos are only supplementary illustrations to the text. (But they could be extraordinarily useful when used in the right context.)

2. Specific Comments on Each Parable

  1. Hidden Treasure. Substituting oil for hidden treasure communicates more clearly in our culture. The acting is slapstick.
  2. Samaritan. Sobering and convicting. It leaves some gaps in parallels with the biblical parable.
  3. The Shrewd Manager. The biblical parable probably does not connect well with most people in our culture, but this video does.
  4. The Widow and Judge. Slower pace and more artistic license than the previous ones.
  5. The Sower. This isn’t exactly a story. This film is nowhere near as engaging as the others. Probably the least effective.
  6. Prodigal Sons. By far the best film. Moving.

Mostly Dead vs. All Dead

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This video clip from The Princess Bride is my favorite light-hearted illustration of the Arminian view of human depravity (an issue integrally related to prevenient grace):

http://vimeo.com/28442042

This is the notable part of the exchange:

“Well it just so happens that your friend here is only mostly dead. There’s a big difference between mostly dead and all dead. . . . Now mostly dead is slightly alive. All dead—well, with all dead, there’s only usually one thing that you can do.”

“What’s that?”

“Go through his clothes and look for loose change.”

Another good illustration of the effectual call and regeneration:

Jesus called in a loud voice, “Lazarus, come out!”

The dead man came out . . . . (John 11:43–44)

Recommended resources:

  1. William W. Combs, “Does the Bible Teach Prevenient Grace?” Detroit Baptist Seminary Journal 10 (2005): 3–18.
  2. John Piper, “Total Depravity,” in “TULIP” (a nine-part seminar available in audio and video), 2008.
  3. Thomas R. Schreiner, “Does Scripture Teach Prevenient Grace in the Wesleyan Sense?” in Still Sovereign: Contemporary Perspectives on Election, Foreknowledge, and Grace (ed. Thomas R. Schreiner and Bruce A. Ware; Grand Rapids: Baker, 2000), 229–46.

John vs. Matthew and Acts Films on DVD

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This weekend my wife and I watched parts of DVDs dramatizing the Gospel According to Matthew and Acts word-for-word from the NIV. Our hopes were high because we enjoy “The Gospel of John” film so much. If on a scale of 1 to 10 the “The Gospel of John” film is an 8 or 9, then the Matthew and Acts films are a 1 or 2—and that’s being generous. (That’s why we “watched parts” of them!)

gospelofjohn.jpg

Related: See this previous post on “The Gospel of John” film for an overview, evaluation, and links to other reviews.